Day 3 was four sessions of paper mâché! Inspired by Kevin’s new mantra, “For today, it’s OK, to be gloppy and gross, all day,” almost eighty young people dipped their fingers into Heather’s special cornstarch and warm water mix and stroked, stroked, stroked until their pieces of torn paper bags adhered smoothly to the cardboard bases of their puppets. Young people were delighted to greet old cardboard friends that they recognized from yesterday’s puppet shows (beaver faces, beaver paddle tails, gull wings, gull bodies, houses) as well as to meet new cardboard pieces that were inspired by the work that the 4th and 5th graders did at yesterday’s Town Budget Meeting (hamburgers, dollar signs, nickels and dimes, wind turbines, trees). High points of the paper mâché sessions were when one girl taught Sherry a call and response song as they worked together on a puppet and the spontaneous creation of a “paper factory” so that children who were bored or needed a change from the gloppy texture could keep the group puppet-making machine going by shredding paper bags at a fast, crisp tempo. Before we moved to the paper mâché work tables, we started each session seated in a circle on the floor so that Kevin could check in with each group to find out what they remembered from Day 2. I was quite moved when one child talked about “a tree that couldn’t breathe any longer and had started to lose its leaves.”
"When are we going to start making the puppets?" was the eager question we were greeted with multiple times before the clock had even struck 9 on Monday morning. The sight of piles of cardboard, paper bags, and paper mâché paste reminded the returning young people of our puppet making process last year and piqued the interest of new campers as they wondered what creatures we would be creating!
Before we started to rip paper and get our hands gloopy with paper mâché, we introduced each group of young people to their section of our 2013 theme: The Tides of Change. Through interactive storytelling, stick puppetry, and process drama, we presented puppets that the youth will be making over the coming days to give them a tangible sense of what their role in this puppet show will be. Read More...
Repeating a community based arts project one year later offers a wonderful opportunity: a chance to do things differently the second time around! After reflecting on our 2012 session plans for Newtown Creek Celebration: Puppet Parade and Pageant, teaching artists Heather Nielsen, Sherry Teitelbaum and I realized that we overlooked an important element: we did not incorporate basic puppetry concepts into our session designs. We never asked the youth questions like: “What is a puppet?”, “Who uses puppets and what do they use them for?” and “As puppeteers, how do we bring inanimate object to life?” We didn’t facilitate hands on activities to develop the youth’s basic puppetry skills. Instead, we jumped right into building puppets and creating a show. Although our 2012 culminating event was very successful, we wished we had built the youths’ puppeteering skills before we began creating the show. So when we received two grants from Brooklyn Arts Council to reprise the project in 2013, we were determined to take a different approach, starting on day one. Read More...
by Sherry Teitelbaum
Kevin, Heather and I had a very exciting day on Monday: we visited PS 34 in Greenpoint, where the puppet building, movement and improvisational workshops for Newtown Creek Celebration 2013 will take place during the next two weeks. PS 34 is one of the oldest public schools in Brooklyn. It was originally used as a hospital in the Civil War. Behind its brick façade is a rabbit’s warren of irregularly shaped classrooms, sans hallways, arranged railroad flat style. We spent several productive planning hours meeting with our biggest fan, the hard-working, high-energy Kasia Selwesiuk-Swietochowski, Director of the North Brooklyn Development Corporation Summer Camp. After the four of us nailed down the daily schedule and reviewed some preliminary story boards, Kasia showed us the two rooms where we will set up shop. We also greeted the approximately 80 young people who will be participating in the project this summer, as they filed past us in their bright yellow T-shirts on their way to a neighborhood field trip. About half the youth are repeat participants from Newtown Creek Celebration 2012, and they treated us to huge smiles of recognition and enthusiastic hand-waving. We’re all set to co-lead our first workshops in our new digs on Thursday. We will be blogging our progress throughout the project so stay tuned for our next blog entry!
Writing A Useful Year in Review
As 2012 comes to a close, I decided to write a year in review for Everybody Act! I thought it would be a great way give everyone an inside look at the arts-in-education projects and the community-based projects that happened in 2012. I also thought it would be an opportunity to reflect on the work that was done this year and, if structured well, might be useful in revealing areas of growth for the work and the blog in 2013.
I had a great time planning and facilitating the first week of Our Play’s the Thing at Young Israel of Forest Hills Senior League with my collaborator Sherry Teitelbaum. Our Play’s the Thing is a two-week Creative Aging project designed to support seniors in creating and performing an original play. We met with our group members at Young Israel after lunch for two hours each day of the week. Read More...
Did you know that 17 to 30 million gallons of oil have been spilled into Newton Creek?
Currently, the creek is being cleaned up. But when the cleanup is complete, who do you think will be of voting age to demand public green space? Today’s young people! In a fun and creative way, our arts project will begin to plant the seeds of agency in today’s youth.
But we can’t do the project without your support.
Visit the campaign and make a contribution today by clicking on widget below!
And guess what? We have lots of perks for everyone who contributes! Visit the campaign page to see perks ranging from posters, to photos of the event, even a puppet from the show!
If you can’t contribute to the campaign, there’s other ways you can help make this project happen
- Visit the campaign and click the share tools right under the video. You can “like” the campaign and send it to Facebook or “tweet” it to send it to your followers.
- Forward this email to folks you know who might be interested in supporting youth development, environmental, or arts projects
- Join us at the final event on August 23rd at 3:30 pm in McGolrick Park, Brooklyn. It’s free and open to the public!
All the Best,
PS 34 Oliver H. Perry Elementary School | Brooklyn, NY
At PS 34, I worked with second grade students and teachers on a theater program I developed called Character Counts! On Stage and Off. I collaborated with the teachers to develop and facilitate an arts integrated program in Theater, English Language Arts, and Character Education for three classes. The program expanded on the school’s existing “Reader’s Theater” and “Character Counts!” Programs by adapting three books by Brooklyn based children’s author Michelle Knudsen into three short plays. Each of Knudsen’s books highlighted a character education concept: Carl the Complainer – citizenship; Library Lion – responsibility; Argus - respect.
The program was designed to:
- Increase language acquisition in English language learners
- Stimulate interest among second grade students in independent reading
- Reinforce NYS Learning Standards for ELA and the Arts
- Deepen students’ understanding of character education concepts (e.g. citizenship, respect, responsibility, caring, fairness, trustworthiness) and the ways in which students can employ these concepts in their real lives
• Increase students’ self-confidence as a result of participating in a successful performance
Discovery In Practice
As part of the program, I worked with teachers and students to develop an ongoing rubric to track the students’ success after each session. Each of the three classes had their own rubric which included assessments based on areas such as “Using Expression”, “Using Kind Words”, and “Fluency”. Both students and teachers created the make up of their own class rubric. At the end of each in-class session, I asked the students to evaluate themselves by a show of hands. I asked them a question like, “As a whole group, how do you think you did today with using expression?” Then they raised their hands for “1: No Expression, 2: Some expression, 3: A good amount of expression, or 4: The best expression we could do.” Each time, I allowed the majority to rule and I wrote up the number in the class chart. By the second session I noticed something interesting. The students where overwhelmingly giving themselves a “4” in each category, which initially disappointed me because it seemed to defeat the purpose of having the students self-evaluate. I thought, “If they’re just going to give themselves a 4 every time, what’s the use of doing this?” However, I began to notice that there was always one or two students who disagreed with the majority of “4” givers. So one day I asked a dissenting student, “Why do you say 3?” Her response was incredibly accurate and truthful. So much so that she swayed the majority into understanding why they all should give themselves a more appropriate evaluation. I continued this practice of calling on the dissenters in each class and found that they were always able to clearly articulate their reasoning. It really showed me the power of truthfulness, bravery and the ability of an individual to influence a group.
PS 144 Col Jeromus Remsen | Forest Hills, NY
At PS 144, I worked with first grade students and teachers on a playbuilding program called Insects & Spiders On Stage! While I had initially proposed working on classic fairy tales, the teachers suggested incorporating a science curriculum tie in at our planning meeting. I’m always excited when teachers come to a planning meeting with interesting ideas; and while I had done A LOT of homework to be ready to work on fairy tales, I was more than willing to go in a new direction. To paraphrase director Peter Brook, “you do the preparation to throw it out!”
The first grade students were doing a unit on insects so we decided to use Eric Carle’s books such as The Grouchy Ladybug and The Very Busy Spider as our starting points. Each class of the five first grade classes focused on a different book by Carle and through playbuilding techniques such as tableaux, thought-tracking, and creative sound and movement activities, we devised five original performances, each about five to seven minutes in length. The plays incorporated different music elements. In our adaptation of The Honeybee and the Robber, the students, in role as bees, created a dance to Perez Prado’s Cuban arrangement of “The Flight of the Bumble Bee.” As part of The Very Lonely Firefly, first grade teacher Ms. Devine played guitar and wrote an original firefly song with the students. Finally, our version of The Very Busy Spider incorporated a processional style spider puppet operated by nine students!
The program was made possible by the generosity of the Parents’ Association of PS 144.
Discovery in Practice
As I was watching the students perform for their parents and teachers during the culminating event, I was struck by how tickled the audience was whenever the students used sound and movement to bring their insect and animal characters to life on stage. When six students playing mosquitoes entered the stage making high-pitched noises and flapping their arms as wings, the audience laughed raucously. As part of our improvisation during an in-class session, the students performing The Grouchy Ladybug came up with the idea to have the snake (played by five students joined together with their hands on their shoulders) enter singing and dancing “Conga-Line” style. This also received a great reaction form the audience. These sounds and movements created by the students helped me see that theatricality is just as important as dialogue - for elementary students, maybe even more so because projecting their voices in a cavernous auditorium is very challenging – even for adults! The insect and animal sounds and movements they created were so vividly executed that they told the story in a way that enhanced the dialogue. It made me wonder about using less dialogue in the future and finding more ways for young students to tell stories on stage through sounds and movements.
So that’s the year in review. I hope that it gave you a little insight into the work going on at Everybody Act! I also hope that my discoveries in practice will support you in your own work as you begin to plan for the 2012-13 school year.
Have a great summer!
My name is Kevin Ray and I am the Executive Director and Founder of Everybody Act! Theater in Education & Communities.
I am thrilled to announce that Everybody Act! is a new face on the arts services provider scene and I look forward to developing creative opportunities with new partners. I chose the name Everybody Act! because it perfectly frames the dual purposes of my core beliefs when using theater with youth and community members: I believe that everybody can learn performance skills to act on stage and that everybody can take action in their daily lives in response to what they have created on stage. Read More...